Haru Nemuri's debut album pushes J-pop/rap in an exciting direction by channeling Japan's rich history of underground rock music.
Rife with post-rock cliches, Deafheaven's fourth album contains the band's least inspired genre-blending to date.
serpentwithfeet's debut album adeptly presents love in a simultaneously sweet and unsettling light, only occasionally being held back by some uneventful instrumentals.
Florence + The Machine exercise a bit more restraint than usual on High as Hope.
Zeal & Ardor's unique blend of black metal and slave spirituals comes together in an exciting and blasphemous display on Stranger Fruit.
Still lacking a distinct voice as a singer and lyricist, Teyana Taylor is frequently outshined by her collaborators on K.T.S.E.
The fuck am I looking at—a Brockhampton music video that's not in 4:3? Y'all were right: RCA changed them!
Piss-take aside, "1999 WILDFIRE" is the All-American Boyband's first official single of the year, promoting their upcoming album The Best Years of Our Lives, and it's cause for celebration if only because it's the type of banger that listeners seem to wish "Tonya" had been. It's not a bad one at that, with its OutKast-worthy hook and, damn, that bearface breakdown. Glad to hear him being integrated into the group's music more and more. These teaser tracks aren't giving us at TND much of a reason not to be optimistic about the new album. Hopefully that'll still be a summer drop.