So many sounds coming together on this upcoming full-length from Yvette. This is truly a twisted display of noise rock, industrial, and no wave. I'd say there are some gothic undertones worked into the mix as well--especially on tracks like "Everything In Reverse."
The band's approach to sound manipulation is absolutely grating, frightening, but there's a clear appreciation for melody at some points here, too. Yvette knows when to seduce, and knows when to overwhelm, I think. Not completely sure yet, because I need to dive into this album further. It's been an overwhelming ride so far, and I'm looking forward to seeing where it goes.