On this new album, Toro Y Moi is able to maintain many of the grooves that have continually made this project interesting, but the newly added vocal samples, vocal experiments, and songs don’t go over well much of the time. WATCH THE REVIEW
New York’s Pro Era drops one of the freshest throwback mixtapes in hop hop, putting themselves at the forefront of this new, nostalgic wave in rap. WATCH THE REVIEW
Yo La Tengo’s latest effort, Fade, is one of the band’s softest and most consistent efforts yet. WATCH THE REVIEW
Screamo outfit Circle Takes the Square are back with their first full length in about 8 years. WATCH THE REVIEW
I talk about new songs and releases from the likes of David Bowie, Iceage, Atoms For Peace, Kitty Pryde, Anamanaguchi, Skrillex, and more! WATCH THE REVIEWS
A$AP Rocky comes through with Long.Live.A$AP with a surprisingly enjoyable commercial effort with loads of variation, catchy flows, and fantastic beats. WATCH THE REVIEW
On his new set of EPs, Wisconsin rapper Rory Ferreira, a.k.a. Milo, changes his instrumental game, rapping over some pretty spacious, atmospheric beats. On top of that, he’s strengthened his usual barrage of obtuse personal musings; bringing their emotional potency higher than ever. WATCH THE REVIEW
CLASSICS WEEK: Though Miles Davis didn’t invent jazz fusion, he did manage to come together with one of the best albums in the genre with Bitches Brew, inviting on some of the greatest minds in the style into the studio to perform in some fiery and amazingly layered sessions.
CLASSICS WEEK: My Bloody Valentine’s Loveless. Even 20 years after its initial release, this album still thrives as one of the strangest auditory experiences in rock and pop. Kevin Shields and company truly came together with a sonically surreal album here that still has modern experimentalists intrigued. WATCH THE
CLASSICS WEEK: Decades after its release, In the Court of the Crimson King still stands tall as one of the greatest and most relevant progressive rock albums ever. WATCH THE REVIEW
