This new P.O.S record will probably please a lot of fans. Stefon did work to groom his style, and bring a succinct set of tracks that are easy to take in, but a lot of the instrumentals here–outside of “Bumper” and “Fire In the Hole / Arrow to
Roomful of Teeth is an intriguingly strange choral group whose debut, self-titled album adventurously expands what it means to make music in this genre. WATCH THE REVIEW
On its sophomore album, the UK’s Dragged Into Sunlight works to diversify its grimy, blood-soaked sound, but brings less intensity in the process. WATCH THE REVIEW
While Bish Bosch isn’t the strangest thing walking the planet, that certainly seems to be what he aims for on what is easily his most absurd album yet. WATCH THE REVIEW
Members of Wu-Tang Clan and D-Block–mostly Ghostface Killah and Sheek Louch–get together for a mostly enjoyable collection of hardcore hip hop songs loaded with gritty tales told with charismatic flows. WATCH THE REVIEW
The debut full-length from Code Orange Kids delivers all of the heaviness the band’s previous EPs promised, but the songs tend to be somewhat hit-or-miss. WATCH THE REVIEW
On his latest full-length project, NYC rapper Heems brings the energy down, and hand-picks a series of instrumentals that are notably smoother, glossier. WATCH THE REVIEW
Chopped and screwed meets AOR, synth funk, contemporary R&B, and new age on this new album from Macintosh Plus. WATCH THE REVIEW
The future is looking a little grim. WATCH THE REVIEW
On this new collaborative effort from Tim Hecker and Daniel Lopatin, the two artists combine their respective approaches to ambient and experimental music in a way even the most casual fans can predict. That’s not a bad thing, though. Where this album falls short is in writing and execution,
