For the most part, uknowhatimsayin¿ is an amusingly subversive update on some classic rap formulas.
GINGER is a return to form for the BROCKHAMPTON boys, albeit a decidedly downcast one.
On Saturation, Brockhampton jells in a way no other group their size has in quite some time. Definitely my frontrunner for hip hop project of the year at the moment.
It's been ten years since Wanlov the Kubolor a.k.a. The African Gypsy dropped his debut album Green Card, and to commemorate this, he has come through with Orange Card - Fruitopian Raps, probably the most ambitious installment of his color card series so far. It's already out via Ghanaian label Pidgen Music, but above you can hear a highlight featuring none other than Open Mike Eagle.
With RA2, Jonwayne delivers a disheveled set of alternative hip hop tracks that have potent senses of humor and emotion.
Feel free to add this to your growing list of music to look forward to in 2015: Alternative hip hop and R&B duo THEESatisfaction have a new album on the way titled EarthEE. Like their last LP, awE naturalE, this record will be released via Sub Pop Records, and will most likely feature the kind of intergalactic soul featured on the track embedded above, "Recognition"
The panoramic rhythms, chants, and deep space synths on this cut are alluring and intoxicating. Despite the gentle demeanor of the music here, it's hard not to get whipped up in the song's ecstasy. Stasia Irons and Catherine Harris-White seem are sounding more ambitious here, and seem to be creating music for another dimension entirely.
Of course, it's not surprising to hear the vocals of Palaceer Lazaro hanging in the background as well, and I'm looking forward to any other appearances he might mack on this forthcoming record, too.
Look for EarthEE on February 24th.
https://soundcloud.com/cakesdakilla/sets/hunger-pangs Cakes Da Killa's Hunger Pangs mixtape has arrived! Described as sounding like a fighting game and as being the "ugly older sister" of last year's phenomenal Eulogy, this new project finds Cakes at, well, his hungriest. His flow continues to be fast, fiery, and in-your-face and his beats are still bold and bangin. The only thing to have been toned down is the lyrical content, but only ever so slightly - there isn't a "Fuck Ya Boyfriend" on here, at least. But regardless, Cakes is still consistently clever and remains one of hip hop's most exciting voices. Enjoy!