UK art pop artist FKA twigs drops a stellar EP outta nowhere.
FKA twigs has just released her new EP M3LL155X out of the blue with a characteristically outlandish set of visuals. Check it out above and enjoy!
Hellfyre Club's Open Mike Eagle drops his best album yet!
As one half of the group formerly known as Hype Williams, a duo which now goes under the more self-explanatory title Dean Blunt and Inga Copeland, Dean Blunt has specialized in obtuse, abstract electronic pop, though I use the term "pop" this loosely. With the idea of pop tends to come a relateable sort of accessibility with the potential for wide appeal, but it was this fundamental characteristic which Dean and Inga seemed determined to obscure. On last year's Black is Beautiful, the pair buried their humanness under a lo-fi haze of synth-based instrumentals. Dean Blunt is not even the artist's birth name, nor is Inga Copeland her's, with their true identities having yet to meet the public light. In removing themselves from so many aspects of themselves which artists often offer in order to be connectable to their audience, Dean and Inga were essentially creating anti-pop.
With Dean Blunt's new LP, The Redeemer, however, the veil is being peeled back tentatively yet noticeably. Samples are much higher in fidelity, with lush orchestra clips giving off a convincingly cinematic feel, and much more clearly mixed vocals revealing deeper angles of Dean's persona. An especially apt example of the album's vulnerability is the first track to drop from the LP, "Papi," in which Dean's voice subtly suggests emotional longing alongside a wistfully romantic Pink Floyd sample. As Dean is gradually exposing more of his character, his statement becomes more coherent and ultimately more effective.
Look for The Redeemer via Hippos in Tanks.
On this debut Atoms For Peace LP, Radiohead frontman Thom Yorke uses this new band of his to continue honing the electronic style he's been toying with since 2006's The Eraser. Stylistically, it's almost a sequel to Radiohead's The King of Limbs, and this just happens to be one of those moments where the sequel is better.
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On her third full-length effort, singer-songwriter Natasha Khan, a.k.a. Bat For Lashes, brings on more instrumentation and co-producers than ever to bring her moody, mystical art pop to a new level.
On their full-length debut, the UK's Alt-J bursts out of the gate with a group of songs that are equal parts creative, eccentric, and playful. Art pop for those with sunny dispositions.