The Needle Drop

DOS4GW - Suiside B

New TracksContributor Jones1 Comment

https://www.youtube.com/watch?v=qfpm3FOFJtg DOS4GW is an underground beatmaker that has been consistently blowing my mind since 2007. The dark, fierce, electronic noise that has been emanating from his bedroom for the past few years has grown more varied and more interesting with each project, so naturally this new album, Suiside B, is pretty exciting. Slightly reminiscent of Tobacco and BMSR, the album is as mottled as it is expansive, with overdriven metallic waves broken up by steady beats, drum-and-bass punctuation, and trippy fluorescent crescendos. Check it out above and enjoy!

Suiside B is out now via Smokers Cough.

- Fin Worrall

Marilyn Manson - "Deep Six"

New TracksContributor Jones1 Comment

Some artists have always felt the calling to make rock music that tries its best to be pure evil. When it's done well, like Marilyn Manson does in "Deep Six," the effect is a complete escape to the artist's world and their view on it. It's exceptionally trying for an outsider to explain these worlds, because they are inhabited by only one person. Here, Manson does his best to be your guide and lures you in under the false pretense that you're listening to "rock" music.

The elements are all there, a relatively simple drum beat with a chugging riff laid on top of it. The structure of the song is like most rock songs that you'll here out there too. However, the vocals are where this song leaves all notions of being generic behind. They are absolutely seductive in the first minute before erupting into the explosive metal style singing that music from Manson's late 90s and mid 2000s heyday is known for. The people who call this music satanic are not in fact crazy, but are noticing the parallels in biblical corruption wherein the evil that ends you feels like guilty yet harmless fun. Where they end up missing the point is that all of this really is just a harmless and enjoyable romp through Manson's fun house.

"Deep Six" is taken from Manson's upcoming ninth album The Pale Emperor, due out 16 January via his Hell, etc. imprint.

-Garrett Cottingham

Panda Bear - "Boys Latin"

New TracksContributor JonesComment

What people forget all too often about Panda Bear is that he's a drummer at heart. Consequently, when he incorporates instrumentals on top of his backing beats, they are often used to flesh out and expand upon the the ideas made possible rhythmically. When people reference the stomp-ish feel of his music, this is what they are normally getting at. Lennox doesn't allow his synthesizers breathe like some artists would, but instead treats them like temporary pulses of sounds. When Panda Bear the beat maker comes out, his musical ideas, though innovative, are always working in tandem with the rhythm rather than elevating above them. On "Boys Latin" this is idea is boiled down to its purest form, like it is in his best songs. The result is a twisting and psychedelic, yet all the while hyper focused three minutes of sound whose inner contradictions work to hypnotize rather than distract. It's a refreshingly humble approach to music, saying "I can't do everything, but I can do this one thing pretty well. So you should maybe check it out, man." Ladies and gentlemen, if after all these years Noah Lennox is still humble, we have no excuses left not to be.

"Boys Latin" appears on Panda Bear Meets the Grim Reaper, officially out 13 January via Domino. Anthony's review of Panda Bear's recent EP Mr. Noah:

- Garrett Cottingham

Pusha T - "Lunch Money" (Video)

VideosContributor Jones1 Comment

The spacey, otherworldly by Kanye West on Pusha T's latest single "Lunch Money" makes for the perfect antithesis to Push's boastful coke rap lyrics, and sets the Virginia emcee up perfectly to release a new album that will make him worthy of being solidified as a true leader of new millennium hip hop. The video is also a practice in ideas that might not at first seem to go together: as Pusha arrogantly mocks the competition, around him is a stripped down, barren, drug-riddled environment dominated by pop lockers and hood rich dope boy decadence. It's a simplistic and unexpected approach, but it allows the song to take center stage. And at this stage, that's exactly how it should be as "Lunch Money" makes hip hop heads salivate for Pusha T's next full-length project.

- Ron Grant

YUNOREVIEW: DECEMBER 2014

ReviewsadminComment

The magical monthly segment where I briefly touch down on a gauntlet of albums I didn't get a chance to review this past month. These are just my short, straightforward, passionate, biased opinions. Beyond Creation - Earthborn Evolution Parkay Quarts - Content Nausea The Neighbourhood - #000000 & #FFFFFF Taylor Swift - 1989 Charli XCX - Sucker Blockhead - Bells and Whistles The Budos Band - Burnt Offering Savages & Bo Ningen - Words To The Blind Gazelle Twin - Unflesh MONO - Rays of Darkness / The Last Dawn Bent Knee - Shiny Eyed Babies PRhyme - S/T Theophilus London - Vibes

Unsacred - False Light

New TracksContributor JonesComment

The Richmond, VA-based trio Unsacred have just released their debut LP on Forcefield Records, and you can stream it in full above.

While the band channel a few different styles of heavy music throughout the album, they don't really blend them together as much as transition back and forth between them. Although the music is at once identifiable as black metal, moments of crust-punk and hardcore flit in and out of each track. This stylistic variation is mostly achieved via the drumming, often trading astonishingly rapid blast-beats for more mid-tempo punk cadences, with the occasional D-beat gallop thrown in. Staying consistent throughout are the tortured, throat-full-of-nails vocals and the menacing, sepulchral guitar riffs (which sometimes feel straight out of the Watain playbook). The record as a whole can sometimes feel a bit repetitive, but it's fun to get a Trash Talk vibe one moment, and hear echoes of Dark Funeral the next.

You can purchase the LP from Forcefield Records here.

-Tom Fullmer