Despite the bouncy production, good feature spots, and Logic’s technical ability, Bobby Tarantino II is just as inconsequential as its predecessor.
Dead Magic is Swedish singer-songwriter and organist Anna von Hausswolff’s best work to date.
Though there are a few strokes of genius on A Productive Cough, too often Titus Andronicus relies simply on the novelty of mimicking a bar band to sell the album.
Exuding copious amounts of raw positivity, You’re Not Alone is a triumphant return to music for Andrew W.K.
Tory Lanez is so similar to his contemporaries that it’s hard to see the point of Memories Don’t Die‘s existence.
This debut studio album from Irish rapper Rejjie Snow is a bit too low-key for my liking.
Though there are some bright spots and risks that pay off, Turnstile’s sophomore album mostly offers run-of-the-mill New York hardcore with a bit of window dressing.
Nicolas Jaar’s full-length debut as Against All Logic is one of the funkiest, most entrancing, and most cutting-edge collections of house music ever produced.
SOB x RBE has a distinct sound and style, but things get kind of wash, rinse, and repeat over the course of Gangin.
All at Once boasts Screaming Females’ sharpest and catchiest songwriting in a long time.
