On The Long Dark Blue, Swain (f.k.a. This Routine Is Hell) channel the angst and energy of 90s rock music, while putting their own spin on the various styles.
Wormrot goes the distance with a new set of abrasive and diverse tracks that run the extreme music gamut.
New York’s A$AP Mob is sounding a little too cozy on The Cozy Tapes, if you know what I’m sayin’.
Korn returns with one of their best albums since 1999’s Issues. Still can’t say I care for it, tho…
Bright Eyes frontman Conor Oberst benefits from going back to basics here on his latest solo album.
Lady Gaga’s rootsier sound and image on Joanne is a welcome change of pace, though she doesn’t always commit to the new direction.
Compton rapper The Game returns with a partially fulfilled concept album about his early days.
The Dillinger Escape Plan goes down swinging on their final album.
Crying delivers one of the most triumphant, diverse, and instrumentally intricate rock records I’ve heard this year.
Jeff Rosenstock drops a pretty ambitious and conceptual follow-up to last year’s We Cool?.
